Tag Archives: Kanye West

Thom Siblo’s Top Sixty Songs of 2009 (20-1)

Recounting the top 60 songs of 2009 with accompanying blurbs was a far grander undertaking than I had originally anticipated.  Like most great comic books and hip hop albums (when is that Nonymous ish going to drop?) this last batch of great songs is finally here… but only after numerous delays.

It’s a common mistake to assume it would be easier to write about songs you like the most.  In some ways it is- enthusiasm, whether positive or negative, can definitely push a writer through a dry spot of creativity (whatever THAT means).  But in the case at hand , I had so much to say about certain songs (“Brother Sport,” “In the Flowers,” “Bicycle” and “House of Flying Daggers”) it was daunting to condense it into the “come for/stay for” format.  In other cases, I felt it would be dangerous to overanalyze songs such as “Wet Hair” or “Are You Still in Vallda?” and I kept things short and sweet.

If I had to assess the year in music I would take the time to bemoan the lack of awesome hip hop LPs: of the three hip hop songs in the top 20 only Raekwon’s was released in 2009 (Clipse’s album wasn’t released until mid-December).  Jay-z and Kid Cudi put out complete trash this past year and I’ve yet to hear the Drake or Mos Def albums (the former due to weak singles and the latter due to his atrocious appearances on Bill Maher’s television program).  The Cool Kids never wound up putting out their debut album (after a meh mixtape, “Gone Fishin’”) and even Yeezy and Jeezy didn’t give me a solid summer jam.

Overall, I liked what I heard in 2009.  Between Japandroids, Fucked up, Mean Jeans, Future of the Left, The Thermals, Titus Andronicus and DC Snipers, modern punk rock is better than it’s been for a very long time while Memory Tapes/Cassettes, Washed Out and jj have all impressed me with their gorgeous, amorphous and hazy pop.

I’m thrilled to be done with 2009 and am already wrist deep in some 2010 releases that will be covered on Averse in the near future.  Albums from Vampire Weekend and Beach House have been predictably impressive, Yeasayer’s new album is a welcome departure from their debut and I cannot wait to see what the world thinks of Titus Andronicus’ opus, The Monitor.  I’m still trying to sift through the minstrel-infused Midlake album and Four Tet’s latest ode to background mood music, There is Love in You.

As a special gift to Averse readers we’d like to present most of the Top 60 Songs of 2009 as a compressed downloads so you can spend the first chunk of 2010 catching up with everything you missed (after the post).

Previously:
60-41
40-21

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Paul’s Top 10 Hot 97 Guilty Pleasures of 2009

FUNK-FUNK-FUNK....master Flex Night.2009! It wasn’t a terrible year for music, you know? And despite Matt Siblo’s (accurate) insistence that it was the year lists broke we at AVERSE have put together a few lists that celebrate the year that was.

For me 2009 was 365 days of trying something new. It was about taking a lot of recommendations, having an open mind and, ultimately, listening to a lot of radio. Rock radio may be dead but in NY no one gives a shit because Jay-Z came out with a new record. You couldn’t walk the streets of Brooklyn this year without hearing at least one single from Hov blaring from speakers that cost more than the car they’re sitting in. Not a day went by where a remix featuring Kanye, Drake, or Weezy couldn’t be heard. And most importantly: I don’t remember one trip in my girlfriend’s car this year where we didn’t at least casually check up on Funkmaster Flex.

It started out as an exercise in understanding: just what is happening in the rap world, and why should I care? Certainly I knew the basics– I knew, for example, I should probably listen to the new Joe Budden, the new Jay-Z, the new Raekwon– but I haven’t seriously listened to any new rap music in about five years and had no real interest to do so. My girlfriend, to her credit, seemed to get it. When she first turned me on to Drake’s “Best I Ever Had” I was admittedly skeptical but eventually fell in love with it in a completely unironic way. And with good reason: that Drake mixtape ended up being one of the strongest records to come out this year, and while it might not be as life-changing as I initially thought (the songs don’t make a whole lot of sense) it’s strong enough from start to finish to warrant all the hype.

But that’s not the stuff I want to talk about right now. You can read what I think about Only Built 4 Cuban Linx… Pt. II when I write about it for our Best Records of the Year list, I promise. It’s the other songs I’m more interested in, the ones that played fifty times a day because of sheer mass appeal. The songs that aren’t breaking any boundaries, that aren’t changing the game; the songs that have no real artistic credibility, and whose only real merit is that they’re catchy as hell.

These are my top ten Hot 97 guilty pleasures.

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